The Work of Studio Ghibli: A Raw Exploration of Human Nature
To provide context, Studio Ghibli is a Japanese Animation studio which was founded in 1985 by directors Hayao Miyazaki and Isao Takahata, as well as producer Toshio Suzuki, after the success of their film Nausicaa of the Valley of the Wind. Since its establishment, Studio Ghibli has produced over 20 films; their most popular includes Ponyo and My Neighbor Totoro.
What distinguishes Studio Ghibli films from other works of animation is that they appeal to everyone; they speak beautifully of the fundamental truths of human nature. They focus on our relationships: to ourselves, to each other, and to the world around us. Furthermore, Studio Ghibli carefully explores and redefines that space between dreams and reality – there is nothing that is perfect, but there exists good in nearly everything and everyone.
The following films exemplify these notions exquisitely. They’re raw, profound, and heart-wrenching. They speak of the best and the worst of life, thoroughly highlighting those easily forgettable details which shape who we are. And, more than anything, they remind us of the extensive potential of hope and love.
Castle in the Sky (1986)
Castle in the Sky begins with the coincidental meeting of orphans Sheeta and Pazu and follows the two as they work to find the legendary floating city of Laputa. This is one of the most implicitly political Studio Ghibli films, and the commentary is expressed with preeminence and grace. Ultimately it explores the interconnected relationship of man, technology, and nature - a dynamic often plagued by corruption and ignorance. As Sheeta thoughtfully states; “no matter how many weapons you have, no matter how great your technology might be, the world cannot live without love.” In Studio Ghibli fashion, this simple yet powerful message is conveyed through dazzling animation and a heartwarming soundtrack.
Kiki’s Delivery Service (1989)
Kiki’s Delivery Service opens with Kiki, a 13-year-old witch, setting off to spend a year away from home in order to complete her training. Despite the fantastical premise, many of us can understand Kiki’s journey as she struggles to come to terms with growing up and figuring out who she wants to be. The film effectively encapsulates the insecurities and fears that define coming of age. And, as is demonstrated through the wisdom Kiki gains from her newfound relationships and experiences, this film’s power lies in its ability to find magic in the ordinary.
Whisper of the Heart (1995)
Whisper of the Heart follows the series of events which leads to middle school student Shizuku’s encounters with a boy named “Seiji Amasawa” and the impact he leaves on her. Shizuku’s ordeals are portrayed with honesty and complexity, which is remarkably untraditional when compared to other films tackling a similar premise. We watch as she reckons with her family’s expectations, the academic pressures and social tribulations of high school, and an unpredictable odyssey of self-discovery. Similar to Kiki’s Delivery Service, the film is captivating and bittersweet in its representation of youth, but Whisper of the Heart distinguishes itself in its focused portrayal of the topsy-turvy nature of young love.
Spirited Away (2001)
Spirited Away sees Chihiro stumble into a world of strange spirits and creatures, in an attempt to save her parents. Perhaps the most notable feature of the film is the intentional mediocrity ascribed to each character. Chihiro responds to each situation in exactly the ways we would expect any 10-year-old girl to, and she ends the film with the same intention with which she begins, to save herself and her parents. It’s absolutely unmelodramatic, which I found cathartic. The same is true for all of the characters: Yubaba is the unwavering antagonist, meanwhile Lin’s actions are continuously rooted in self-interest and basic decency. Studio Ghibli’s strength is found in the characters it creates and Spirited Away continues to uphold this precedent.
From Up on Poppy Hill (2011)
From Up on Poppy Hill shows us the life of Umi, a sixteen-year-old girl, and the development of her relationship with a boy named Shun in post-World War II Japan. The film is a poignant reflection of change in all its forms; it portrays the attempts of Japan to reconstruct its image and on a personal level, it depicts Umi’s growth as she opens up to the people in her life. Furthermore, it speculates the pitfalls of change. As we develop, what do we lose? It asks us to consider the role of our collective history in relation to our lives as individuals. It is an outwardly emotional film, but it is presented in an avant-garde fashion. Just as life is not entirely joyful or sorrowful, neither is this film - it’s a tasteful exploration of that place in-between
So, what makes Studio Ghibli films so extraordinary? As you watch these films, you can’t help but feel as though you’re intruding. Studio Ghibli shows us at our most vulnerable, whether this be through the capturing of casual moments or in revealing parts of human nature we’ve never before seen on screen.
In terms of technicalities, it’s undeniable these films are masterfully made, but that is not what gives them so much character. Rather, it’s what they speak to which sets them aside. They compel us to reconstruct our worldviews and challenge conventions, so that we can understand that there is more to the world than we mostly allow ourselves to believe.
As I rewatch these films, my understanding and awareness of the relevance of their messages develops. Studio Ghibli revolutionized the film industry in its ability to reach a diverse range of people – whether that be in age, nationality, etc. - and to help people feel understood. Studio Ghibli’s work is a charming testament to all that film can be.
If you enjoyed these films, you’ll likely enjoy the following Japanese animated films: Into the Forest of Fireflies’ Light and Journey to Agartha.